(1736 - 1809) was a distinguished Russian painter who specialized in portraits.
Fyodor Rokotov was born into a family of peasant serfs, belonging to the Repnins. Much in his biography is obscure. He studied art in Saint Petersburg Academy of Arts. After buying back his freedom in the end of 1750s he became established as a fashionable painter.
In 1765, Rokotov was elected an Academician, but he did not work as a professor in the Academy long, because it interfered with his painting. He returned to Moscow in 1765, where he lived for the rest of his life. He had a lot of commissions there, becoming one of the best portrait painters of his time.
Among his best-known portraits are Portrait of Alexandra Struyskaya (1772), sometimes called the Russian Mona Lisa and admittedly the most celebrated piece of the 18th-century Russian painting; Portrait of Countess Elisabeth Santi (1785), and Lady in a Pink Dress. Related Paintings of Fyodor Rokotov :. | Ahapeebha | Portrait of an Unknown Woman in a Blue Dress with Yellow Trimmings | Alexandra Struiskaya | Portrait of Anna Yuryevna Kvashnina-Samarina | Lady in a Pink Dress, | Related Artists:
Blythe David GilmourAmerican Painter, 1815-1865
He began his career as an itinerant portrait painter in the early 1840s and became one of the leading satirical artists in America by the beginning of the Civil War. Self-taught, from 1840 to 1850 he worked in East Liverpool, OH, and Uniontown, PA, and nearby towns and villages, painting rather stiff likenesses of the local gentry. He also carved a monumental polychrome wooden statue of Marie-Joseph, Marquis de Lafayette for the Uniontown courthouse and painted a landscape panorama of the Allegheny mountains, which he took on tour through Maryland, Pennsylvania and Ohio.
Hieronymus Franckenpainted The Last Judgment in between 1605(1605) and 1610(1610)
BRUYN, BarthelGerman painter (b. 1493, Cologne, d. 1555, Cologne).
German Renaissance painter, active in Cologne from 1515. Known especially for his portraits, which combine Northern realism with Italian-inspired monumentality and breadth, Bruyn also painted religious works such as the high altar at Essen Cathedral (1522). A portrait of a man and three religious works are in the Philadelphia Museum; many of his works are in Germany.